215 Royalty-Free Audio Tracks for "Tom Fill"

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

Reversed percussion loop and a bunch of effects @ 125 bpm.

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

Song from The Remains of Tom Lehrer

Vess L. Ossman's performance of Tom Turpin's "The Buffalo Rag" (1904). Recorded January 26, 1906. This is Victor Record 16779, Matrix B-3049. (Full details) Sheet music is available at The Library of Congress

Song from The Remains of Tom Lehrer

Warped guitar riff and rhythm top fill with multiple fx.

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

A dense, danceable tom-tom groove at 110bpm. Part of a set.

My studio drums sample.

My studio drums sample.

Synthetic low toms loop.

Synthetic low toms loop.

13" tama rockstar mid-tom drum hit with plastic blastick.

Performed by Tom Dutson.

A mellow synthetic tom with trail.

Tom drum.

Filling a glass of water from a faucet.

Low floor tom in master bedroom (concrete floor).

Low floor tom in empty master bedroom (concrete floor).

High tom sound. The reverb is actually filtered noise. 44100 16 bit mono made with microtonic drumsynth.

My original dw toms, mixed with themselves 1 octave up [the octave up is lowered -6db and the envelope reshaped to allow loud only the attack]. Then for that resulting mixdow again the same thing [so i used the same method two times]. At all steps i was using the simple compressor[not multiband] for not allowing overlimiting. For the two general mixdowns [because it was a double process] i used hard compressor at -0. 45 dbs. And for the two octavic parallel channels i used hard compressor -3. 60 dbsbecause the octave doesn't sound realistic if not well compressed. For all my dw octavic tomsed i used the same exact method. My original dw toms are here if you want to read data or mics. These toms do not sound realistic as stand alone sounds. These harmonics work better only in a complete mixdown, and have increased audibility than the original recordings [for silent music parts use the original because low velocity of parallel instruments will expose the supportive tom-harmonics].

Percussive sound of a chinese small tom.

Very high tom like sound.

Tom drum.

Tom drum.

Tom drum.

Tom drum.

A classic drum roll. Sorry, i forgot to mention, this is yet another sample made with teleport8's fantastic drum set!.

Two very high bongo hits. Sorry, i forgot to mention, this is yet another sample made with teleport8's fantastic drum set!.

One big tom hit and a wooden click. Sorry, i forgot to mention, this is yet another sample made with teleport8's fantastic drum set!.